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Review: Edwin: High King of Britain, by Edoardo Albert

Edoardo Albert is an historian and author, and this book (published in 2014) is the first one of a fiction series titled The Northumbrian Thrones. Other books in the series include Oswald: Return of the King, and Oswiu:King of Kings. Albert has also written other non-fiction history books, notably Northumbria: The Lost Kingdom, co-written by one of the directors of the Bamburgh Research Project (the archeological dig that is ongoing at Bamburgh).

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The author, Edoardo Albert

In other words, this author is right up my alley, and I dug into this book with a great deal of relish. And he didn’t disappoint! Edwin: High King of Britain is a fascinating glimpse at this ancient king, written in an easily accessible and at times lyrical fashion, introducing us to a complex and interesting man and the times in which he lived.

Edwin’s reign fell a few decades before the events in my own trilogy. He was born in 616 AD and died in battle in 633 AD. He is an important king in Northumbria for many reasons, not the least of which being that he is the first Christian king of Northumbria. I will touch on this later.

The book begins with Edwin in exile. He was the son of Ælle, King of Deira (the southern part of Northumbria), and when Ælle dies, Æthelfrith, Edwin’s brother-in-law and King of Bernicia (the northern part of Northumbria) takes over as King of Deira as well, being the first to unite the two kingdoms into Northumbria as a whole. Naturally Edwin is a threat to his claim on Deira’s throne, and so Edwin has been fleeing for his life, finding refuge at various places and finally ending up at the court of Rædwald, king of the East Angles, south of Deira. But as the book opens word comes to Edwin that Æthelfrith, known by the nickname the Twister, has convinced Rædwald to kill Edwin in exchange for treasure and almost as importantly, an alliance with the powerful Æthelfrith.

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I love the cover art of the book. This stylized boar is done in the fashion of images typical of Anglo-Saxon art of the times.

Albert pulls us into Edwin’s world right away. One of the challenges of writing historical fiction is trying to drop readers into the setting and give enough of the backstory so that they can begin to have a sense of the world without being overwhelmed by dry facts and information. I like the way Albert handled this, it didn’t feel forced in an info-dump kind of way, and it got me immediately immersed into Edwin, his world, and the dilemmas he faced.

And there are plenty of dilemmas. Edwin is concerned not only for his own life, but also the lives of his sons, who as his heirs are in danger from Æthelfrith’s sword as well. He seeks a way to gain back the Deiran throne, and to remove the threat Æthelfrith poses. And once he succeeds and gains the title of High King of Northumbria himself, there is the challenge of keeping his throne safe from the threats of those who would claim it.

Edwin’s first wife, the mother of his sons, has long since died, and in appropriate kingly fashion he seeks an alliance with the powerful kingdom of Kent by marrying Æthelburh, sister of the King. And this introduces another challenge to Edwin – the introduction of Christianity into his kingdom, for Kent is a Christian kingdom, and his new bride a follower of Christ.

Accompanying Æthelburh on her journey north to her new home is Paulinus, a priest of the Roman Church and James, a deacon. They are determined to begin a missionary work among the pagan Northumbrians, starting with the King, for they know that if the King embraces Christ his people will likely follow.

This journey of Edwin from pagan to Christian is the heart of Albert’s book, I feel. Edwin understands the import of his decision, and he wavers for some time as he wrestles not only with his understanding of the new faith but the implications of casting aside the old gods. The story of Edwin’s conversion is chronicled in Bede’s Ecclesiastical History, and Albert dramatizes Bede’s account well. I enjoyed the way Edwin’s pagan priest, Coffi, was portrayed here. His disillusionment at the silence of his gods which led to his embrace of Christ fleshed out Bede’s story in a satisfactory way.

It is easy to look back at stories such as Bede’s in a cynical way. How much of what he said was truth, and how much was propaganda? When the King converts and his men convert with him, how much of that was real faith and how much political opportunism? By making Edwin, his wife and counsellors come alive in this story, Albert gives us a plausible and realistic picture of this most important moment of British history – when the Northumbrian kingdom began it’s first steps as a Christian one. I get tired of books that portray the introduction of Christianity as something negative, bringing  repression and disaster to a previously wonderful pagan world. Of course with change comes both the positive and negative, and I’m not interested in whitewashing history either. But surely the people that set aside their pagan faith did so for many reasons, and we can’t discount that for many, an important reason was their appreciation of that new faith itself and its message of love, grace, and forgiveness.

Albert is a good writer, and there is some lovely prose in this book, especially in some of the scenes where the experience of faith is brought alive, like this  account of Edwin’s baptism:

There, beneath the water, he had felt as if he were suddenly able to breathe again; as if a tight metal band that had been slowly constricting his chest as he grew older, tightening so slowly that he never even realized it was there, had been released. He had been a slave and he had never even known it. 

Besides this journey of Edwin from pagan to Christian, the other thing I really enjoyed in this book was the portrayal of Penda, introduced here as a warlord to King Cearl of Mercia. The early life of Penda is somewhat murky in historical accounts, and so I enjoyed this presentation of Penda’s life which gives a satisfying background to this most important King of 7th century Britain, a wily and powerful man  who is a worthy adversary to the Northumbrian kings.

If you are at all interested in a a well-written, entertaining and exciting history of an important king of Britain, Edwin: High King of Britain, will definitely satisfy.