Iona: Cradle of Celtic Christianity

Hello, dear readers!

It has been quite awhile since I have written any new content for the blog, and I apologize for that. What with one thing and another, including and especially the book launch, I have had little time to devote to my regular posts here.

For new readers, thanks for coming aboard! This is my online home,  a place where I have a chance to share with you my fascination with 7th century England, as well as other topics that might hit my fancy.

I have several series going on here at The Traveller’s Path. I’ve done several posts on various aspects of life in 7th century England, including literature, Anglo-Saxon society, important people, special places, the Celts, and others. One of these days I will group them all under the various topics for easy access on the blog – when I get some time. Heh.

It’s been awhile since I have done a deep dive into one of the important places in 7th century England, so today I will rectify that by doing a deep dive into one of the most important places, that of the island of Iona, and more specifically, the Celtic Christian monastery located there.

Iona is a small island, found in the Inner Hebrides off the west coast of Scotland. This mainly treeless island is about 2 km wide and 6 km long, and is found about 2 km off the coast of Mull, one of the larger islands of the Inner Hebrides. It’s a tiny dot on the map, and it’s hard to imagine how such an inconsequential place could have had the impact on life in the 7th century that it did; an influence that lasts even today.

The reason why this tiny island had such a huge impact is because this is where the great Saint Columba founded his monastery in 563 AD after being exiled from Ireland*. He came there because at the time it was in the Irish Gaelic kingdom of Dál Riata, and its king, Conall, was a relative of Columba’s. Columba and his monks immediately set to work building the small wattle and daub buildings typical of the time. Eventually the monastery would include the church, a refectory (kitchen/dining hall), scriptorium (library), monks’ cells/dormatories, and a guesthouse. There is also indications today of what is called Columba’s day room, a small building where Columba, as the abbot, worked and wrote. A small ditch encircled the monastery proper, a physical reminder of the set-apartness of this sacred space from that of the world.

The name of the island at the time was Hii, the Latin form of the original Gaelic name that meant something like “yew-holder” or “yew-place”.  That sentence is deliberately vague, because the truth be told this little island had many names stretching back over a long time, and it’s very difficult for modern historians to determine exactly what the locals called it at any given point in time. After all, the Hebrides have been occupied by people who spoke many different languages, from British Gaelic to Irish Gaelic, Pictish, Latin, and many variations of all of those.

Adoman, Abbot of the abbey from  AD 679-704, wrote the first hagiography of Columba. His attempt at changing the Gaelic name of the island to Latin resulted in the name Ioua, which morphed into Iona in the 13th century due to a transcription mistake, as the “u” and “n” look very similar in the insular uncial writing used by Adoman in the 7th century. Hii comes from Bede’s Latin name for the island in his Ecclesiastical History of the English People, written in AD 731. Hii was the Latin translation of the Gaelic word I (pronounced “ee”)which was one of the names for Iona at the time. Clear as mud, right?

Once Columba and the monks had the buildings they needed for the monastery, they wasted no time on their missionary pursuits. They were incredibly successful in sharing the Gospel with the Picts and the Gaels of Dál Riada, and spreading out from there into the territory of the Picts in northeast England and further south, into the Northumbrian kingdoms of Bernicia and Deira.

St-Martins-Cross-and-Iona-Abbey

St. Martin’s Cross, which is the original cross still standing where it was installed, sometime between AD 750-800. The arms look short as they originally would have had wooden or metal extensions attached on the ends to make them longer. Amazing that this cross survives after all those years! It sits just outside the entrance of today’s Iona Abbey. Image from Seaview Bed & Breakfast

As the monks’ influence grew, and as the distances between Iona and the places where they worked grew ever more distant, the monks started setting up satellite monasteries in the territories where they ministered. Soon there was a growing network of these monasteries scattered all over the north, all looking to Iona as their spiritual “head”. Iona continued to grow in influence and prestige, and by the time the seventh century rolled around, it was an important centre of learning, with a highly esteemed school. The monks at Iona were kept busy in part with copying important manuscripts housed in their scriptorium, which would then be sent out to the satellite monasteries, which over time were found not only in England, but over on the Continent as well, in Gaul.

It is this process of the re-seeding of important works of ancient Greek and Roman philosophers and teachers back into the Continent after the chaos and destruction of the fall of Rome that author Thomas Cahill describes in his book, How the Irish Saved Civilization. Far-off Iona was sheltered from the storms of looting and destruction that occurred when the barbarian hordes finally conquered Rome and the Dark Ages descended upon the Continent. Cahill’s premise is that without these Irish monks, who valued learning and knowledge and preserved the ancient wisdom even though it clashed with their faith in some ways, all of that knowledge could easily have been lost. And where would we be today without it?

But the monks on Iona not only copied books such as the Bible, or Homer’s Iliad. They also created some beautiful illustrated manuscripts, the foremost of those being the Book of Kells. The Book of Kells is an illuminated Gospel book, similar to the Lindisfarne Gospels, consisting of the four Gospels in Latin, and accompanied by marvellous illustrations. I am going to do a separate post about this stunning work of art at another time, but suffice it to say, it is one of the treasures of British art.

Of course, the monks at Iona were practitioners of the uniquely Celtic brand of Christianity that developed in Britain after the Roman legions left the island. Once the Roman Christians returned during the mission of Augustine in AD 596, these two “flavours” of Christianity began to clash, and kept an uneasy peace, until the Synod of Whitby in AD 664, when the tide definitely swung in favour of the Roman Christians (also an upcoming post, stay tuned!). Many of the Ionian monasteries accepted the decision of the Synod and began to follow the Roman ways. But a few monasteries held out, including Lindisfarne and the mother house, Iona. In fact Iona continued in the practice of Celtic Christianity until the eighth century, in AD 715, when it finally adopted the Roman practices.

Iona’s influence was further diminished with the arrival of the Vikings. The first attack on Iona happened in AD 795, and many other attacks occurred over the next 30 years, resulting in the death of many monks and the plundering of treasure. Somehow the monks managed to protect both their beautiful Gospel book and important relics, including Columba’s bones, throughout this time, but in AD 878 the remaining monks had had enough, and they left, taking the illuminated Gospels and Columba’s reliquary with them, ending up in Kells Abbey, in Ireland. Which is how the Book of Kells got its name.

Today Iona is home to around 120 people, but it is still a place of pilgrimage for people the world over. The original Early Middle Ages buildings are long gone, but in the 1920s the ruins of the old Benedictine monastery on the island were restored and the buildings are now used by the Iona Community, an ecumenical Christian community who are, according to their website, “a dispersed Christian ecumenical community working for peace and social justice, rebuilding of community and the renewal of worship.”

I think Columba would be pleased by that, and to know that even today, every year hundreds of pilgrims go to Iona for spiritual retreats, prayer, and worship, and to seek to encounter the living Christ whom Columba followed.


*If you want the whole story behind Columba’s exile, have a look at my previous post linked to above. It’s a fascinating tale.

Featured image from Wikipedia

Sign up for my newsletter to get up-to-date information on books and publication news, as well as special bonuses only available to newsletter subscribers. Right now, if you sign up you will receive A Singular Obsession, a bonus chapter from my book, Wilding: Book One of the Traveller’s Tale. 

Wilding Ad v20190620-1318 v1

 

 

The Celtic Cross: A History

What with book launch and all the assorted tasks that has come with it, my blog has been sadly neglected. I have some great ideas for new content, and you will be seeing that over the next couple months. But for this week I’ve reached back into the archives from last year to bring you this post that I really liked, about the Celtic cross. It didn’t get too many views the first time around, as it was posted in the dog days of August, so I’m hoping more people get to see it this time. Hope you enjoy! 


 

I’ve been spending a lot of time here on the blog giving you a detailed look at life in England in the 7th century, from the various classes that make up that society, to the literature they produced, and to important places such as Bamburgh.

Lately I’ve been focussing mainly on one section of that society, that being the Anglo-Saxons. But of course there were other groups of people living on the British Isles at that time, one of the biggest being the Celts.

I’ve touched on their society here and there, mainly in explaining how the Celtic Christianity of the native Britons differed from the Roman Christianity brought to England by Augustine in 597 AD. But I thought I should spend some time here delving into their culture a little bit more deeply.

Much of it is similar to the Anglo-Saxons. Both were warrior cultures, for example. But just as there are some significant differences in how they practiced their religion, there were significant differences in other aspects of their culture as well.

I will explore some of those societal differences in future posts. But to start with,  I wanted to look a little more closely at one of the symbols of the Celtic Church. The Celtic Cross, with its distinctive circle encompassing the cross-beams, has become an iconic representation of Celtic Christianity, and as such, I wanted to give you some background on how this cross became to be used by the Celtic Christians.

Deep breath. There are a whole lot of rabbit trails that one can go merrily along when studying this subject. I am going to give you just a brief overview, but if you are interested I encourage you to do some research yourself.

One of the legends about this unique style of cross was that Saint Patrick combined the Christian cross with the sun cross, a pagan symbol, in order to make Christianity more appealing to the pagan Britons. This theory also surmises that putting the cross on top of the symbol was a way for Patrick to show the superiority of Christ over the pagan sun-god.

The sun cross is a circle divided into four quadrants, and this symbol has been found in religious objects from Bronze Age Europe (and in many other times and cultures as well). In the European context, it is speculated that this symbol represents the wheel of the chariot of the sun god.

800px-Fahan_Mura_Cross_Slab_1996_08_29

The Fahan Mura Slab is an early form of Irish Celtic Cross. Initially they were merely incised upon a stone slab, and then they got a little more intricate. You can see how the carving here is more bas-relief. This eventually resulted in the free-standing stone crosses that became so prolific across Ireland. Even now, after many centuries of wear and sometimes deliberate destruction, there are at least a couple hundred crosses in various states of repair still standing across Ireland, and there are more in Scotland, Wales and Northumbria.

 

I think this explanation of the origin of the Celtic cross might be stretching things a bit. First of all, it seems to be a little too speculative. There is a lot of uncertainty about what that “sun cross” really represents, so right there we are treading in murky waters.  I do believe that St. Patrick  presented the new faith using language and symbols (and places) that were familiar to the pagan Celts of Ireland, but to definitively say that he “invented” the Celtic cross in order to aid him in this seems a bit of a stretch.

But I don’t discount that theory completely. I’m not a historian, so there may be compelling evidence out there that I don’t know about which would show me wrong. But until I know of it, I’ll stick with my gut feeling on that.

What I think might be more plausible are a couple of other theories I’ve come across. One being that the circle on the Celtic cross originated from an even earlier symbol of Christianity, the chi-ro. 

Let’s back up a bit. The cross was not the preferred symbol of the early Christians. To them, who lived in the Roman Empire, the cross was an instrument of torture and death. They used other symbols, which are another very fascinating rabbit trail to go down, but I’ll stick to the main point here.

One of those early symbols was the Chi-Ro, which was a stylized combination of the first two Greek letters of the word ΧΡΙΣΤΟΣ  – Christos, or “Christ”.

270px-Simple_Labarum2.svg

The Chi-Ro

The Emperor Constantine, after his conversion to Christianity, made his new faith the official state religion in the fourth century, and he was the one who popularized the chi-ro. Christians began to show this symbol with a laurel wreath superimposed on top, to symbolize the resurrection of Christ as the victory over death (the laurel wreath being worn by Emperors and awarded to victors in the Games).

 

So you can see how this idea of having a Christian symbol (the Chi-Ro) with a circle on top could explain a Celtic Cross, once the cross became a popular symbol of the faith (which happened after the collapse of the Roman Empire and the end of public crucifixions).

Minolta DSC

A chi-ro carved into the rock in the  catacombs at San Callisto, Rome. One of my favourite memories of Rome is going into the catacombs and seeing the evidence of the early Christians there. They used the catacombs as hiding places from the Roman authorities during the time of persecution in the early years after Christ. Image by Dnalor_1 on Wikicommons

Another theory is a much more practical one. It postulates that the stone crosses were modelled after the earlier, wooden ones, which may have had cross beams supporting the horizontal beams of the cross for strength and stability. The stone carvers wanted to have the same support when making the heavy stone crosses, and so used the stone circle for that end.

It’s impossible to know for sure. Likely there is some truth to all of these theories. But no matter the origins of this unique style of cross, by the seventh century large, intricately carved stone crosses began to become a regular feature of the landscape in Anglo-Saxon England and across what later became known and Ireland, Scotland, and Wales. The Irish monks who established monasteries began to erect them both at their monasteries and churches but also in public squares. They became teaching tools, with the elaborate carvings a visual representation of important Biblical characters and events.

cross_celtic_religious_ancient_church_christian_celtic_cross_christianity-804858.jpg!d

This close up shows another feature of many of the Celtic Crosses – that of the notched arms where the two beams meet. Some speculate that this also hearkens back to the original, wooden crosses, which could have been notched right there to allow for the two pieces to be lashed together with a rope. Image from pxhere

 

They are beautiful to look at now, but would have been even more spectacular to see then, because they originally were painted in bright colours, to draw the eye and attract those who saw them. In a future post I want to examine one of these crosses in more detail, to give you an idea of the intricate work with profound theological significance that adorn them.

The faithful Christians who built them made them to last, and they have certainly done that. But I’m sure even they would be astonished to know that some two thousand years later their work is still on display for all to see and admire, in many cases in the very spots, or very close to it, that they themselves erected them.


Don’t forget….WILDING:BOOK ONE OF THE TRAVELLER’S PATH, is NOW available. A historical fantasy set in 7th century England, WILDING introduces a long-ago world, and a young man whose choices could have disastrous ramifications for it—and ours.

Here’s the links for all the places WILDING is available. PLEASE NOTE: Outside of Amazon, there is only the ebook format available. Apparently it takes a little while (up to a month) for the paperback to be available on the rest of the retailers sites. So if you are wanting to get a paperback immediately, Amazon is the only place it is available for now. By the end of the month you should be able to get the paperback through all the channels. It will also be available for libraries and bookstores to purchase at that time. 

amazon.ca

amazon.com

chapters/indigo

Barnes and Noble

 

A Tale of Two Book Journeys

It’s been a crazy few weeks here at The Traveller’s Path. I’ve been consumed with getting all the details ready for the big launch of my book, which happened on Saturday! Whoop!

Like everything else associated with this writing journey, the whole process of the book launch turned out to be way more complicated than I thought it would be. So, just for fun, this week on the blog I am giving you a Tale of Two Book Journeys. I’ll let you guess which one mine has been like so far….


Book Journey One

The author has a great idea for a book, and after clearing her calendar of all other distractions, her manuscript is written within a year. After carefully vetting through many agent and publisher requests asking for the privilege of representing her, she decides to take her destiny into her own hands and go the self-publishing route.

She sets a date six months ahead for launch day, picking a time that is most opportune for her for the big day. After skimming a few books and blogs on the self-publishing process, she easily compiles her manuscript from Scrivener, the fabulous writing program she uses, formatting it into the three different formats she will need – one for Kindle, one for everything outside of Kindle, and one for paperback.

She then turns her attention to the launch. She calls up the many successful authors she knows for advice on how to do this, and they are happy to oblige, giving her some great tips. She spends a couple months preparing: writing newsletters and blogs in advance for the month before and the month after, setting up blog tours to promote her book, making contacts with influential people who can do reviews and get the book in front of important influencers. She gets some Advanced Reader Copies to people who can read the book and review it, so that right away it will start moving up the sales chart on launch day. She gets a series of count-down newsletters written, and develops a bunch of swag to give away at her book launch: bookmarks, buttons, and even cute little journals featuring quotes from her book, designed by someone who had heard about her book and wanted to help promote it for free.

All of this takes longer than she thought it would, but no worries. Her other job has given her a paid leave of absence, because they support the arts. Her husband and family continually shoo her into her office, urging her to keep on going.

Two days before launch she uploads her book, as per recommendation (just in case there are some problems with getting the file uploaded), but everything goes smoothly, and she is excited to see her book up live. Pre-orders have skyrocketed, her mailing list is booming thanks to all the clever bonus items she has developed for new subscribers. She is giddy with anticipation for the launch.

Launch day arrives, and she can sit back and watch the sales start. Her social media is buzzing, thanks to all the scheduled FB and Twitter posts she had prepared weeks ago. Occasionally she hops onto her social media channels to offer live updates.

The day ends with a successful party, where friends and family gather to toast her success! She’s got lots of activity planned for the next month, which will ensure her book’s placement on the top rankings at Amazon and the other retail sites for a few weeks at least.

She goes to bed excited and grateful, ready to start Book Two!!

Book Journey Two

After wanting to write for most her life, our author finally decides when she turns 40 that she isn’t getting any younger so she better get started. She is raising three kids and has a busy life of work and volunteering, but she carves out time on the weekends and in the evenings to write. She starts with short stories, and joins an online writing workshop. But her ultimate goal has always been a book, so after about three years of learning the writing craft she starts. She has a general idea of a story. It’s so exciting to get going!

After awhile the story fizzles. It’s just not working. Now what? She tries other angles, ignores the prompts to explain WHY her 21st century main character showed up in Dark Ages England, then finally gives in and abandons the story she thought she was going to write to explore the one that showed up, instead.  The story takes unexpected directions, some of which are good, some are not. And why did she decide to write about Dark Ages England, anyway? So much to learn….but it’s fun, and she perseveres.

Finally, about a decade later, she types THE END! Phew! Of course there is revisions needed….a couple more years pass and it’s ready to go. She ships the manuscript around to agents and publishers. There’s not a lot of those for historical fantasy set in the Dark Ages, it seems! She gets a couple nibbles, but she’s getting nowhere fast. After some research she decides to self-publish, and after saving up a large sum, hires a professional editor to guide her through the final revisions.  She eagerly waits to hear the feedback.

Hmm. Editor says it’s a good concept, and the writing is okay, but it’s too long. Only one POV, please. Take the trilogy you have written and make it into one book. Much gloom commences. Finally the author picks herself up and tries to do as the editor suggests. She trims half of book one out, taking out all other POVs except the main character. It’s ok, actually, and she starts to have hope this will work. But she just can’t make the three books fit into one, or even two. Back to square one. Three books it is.

She sends out the revised manuscript to a new Editor, because in the process of revisions she concluded that Editor #1 was not quite jiving with the vision she had for the book. She does a little research, and remembers an editor she had connected with a few years past. She contacts her, and joy! She’s available and interested. Editor #2 does the final edits. Some changes are needed, but it’s doable. Author gets back to work sets a date for Book Launch.

Book Launch date comes and goes. She’s running into trouble with those final revisions, it’s taking longer than she thought. And the tangle of info on self-publishing is getting very confusing. She pushes the launch date back. The second date comes and goes. Oh, this is getting frustrating. She’s got the manuscript ready now, but how on earth is she supposed to figure out all this publishing stuff? She reads endless blogs, books, and listens to podcasts and other experts on what to do and when. She sets another date. She’s sticking with this one, no matter what!

She starts a course on marketing. Great info, but yeesh…the work….She learns about Amazon keywords, reader magnets, blog tours, etc  and starts to try to implement these. Life outside of writing is crazy, and the work on the book suffers. The book launch date is looming. Time to compile her manuscript out of Scrivener (her fabulous writing program). Almost done now!

But wait! She has updated Scrivener to the new version. There was a warning before doing it that the new version handled compile differently than the old one, but she ignored it. She’s been using Scrivener for a long time. How hard can it be?

Gloom. Turns out, very hard. She spends hours figuring out how to do it the new way. Hours. Scrivener forum, online help, emailing Scrivener….finally she gets it done. Super. Now to get it uploaded into Amazon and the other book distributor. Amazon goes great! IngramSpark, the distributor most recommend to handle all other channels besides Amazon, is a different story. Formatting the files is torturous. There may have been a bit of weeping at the kitchen table.

Finally, FINALLY she figures it out with a little help from family, friends, and virtual strangers on the internet, other authors who have travelled the path before her…although one of those sent her down a complete dead end, which wasted quite a bit of time. Not the other author’s fault, entirely hers, but still…

Book launch is a week away! She is so behind…she is supposed to be writing blog posts, newsletters, pre-scheduling Facebook and Twitter posts, but the uploading of files to Ingram has taken another turn, and she’s stuck again. Argh. This has to work for book launch to happen, so she has to let the other stuff go and focus on that. She gets her author proof copy from Amazon – yay! She’s holding her actual book! But there’s a few things that need to change, so she does that, which means that she has to re-upload files to both Amazon and Ingram (super)…

The book has an Acknowledgements section, in which she asks people to sign up for her newsletter. She indicates that they will get a short story featuring one of the characters in the book as a bonus. It was a great idea at the time. But this story is just not coming together. Book launch is looming and she is frantically trying to make it work.

IT’S LAUNCH DAY! Her book is live! Yippee! Or is it? She can’t find it…not everywhere. It’s on the US Amazon store, and then she can’t find it. Oh, it’s back. Phew. But what happened to the paperback? It should be there on the Canadian Amazon store? Ah, it’s there. But it’s certainly NOT on iTunes. That’s one of the places Ingram is handling distribution to. Grrr….no time to look into this now. She spends the morning scheduling a bunch of posts for Twitter and FB to broadcast her big news throughout the day, as well as trying to design and print some bookmarks she wanted to bring to the launch. Nope, it’s not going to work, and she gives up. Ack. She has some friends and family coming for dinner so she abandons everything else and gets supper ready….

What a great time! Everyone is so kind. And then it’s off to the Launch Party! She has a wonderful evening with the people who came to hear all about her book and to congratulate her. Fabulous!

She goes to bed happy and grateful, excited to get to work on Book 2….


And here I am, six days after launch. There is still so much to do, and so much to learn. I’m still working on the bonus short story for newsletter subscribers – it’s almost done! I’m also working on getting the book ready for iTunes. Apologies to those who want to download it for their iPad or iPhones. Apparently there was a section of the IngramSpark website that I missed in order to have Apple distribute my book. Drat. I’m working on that now and hope to have it resolved soon. 

 Phew! I’ve learned so much and I know next time it will be so much easier. I HOPE. 

Thanks to all of you who have stuck with me so far. Here’s the links for all the places WILDING is available. PLEASE NOTE: Outside of Amazon, there is only the ebook format available. Apparently it takes a little while (up to a month) for the paperback to be available on the rest of the retailers sites. So if you are wanting to get a paperback immediately, Amazon is the only place it is available for now. By the end of the month you should be able to get the paperback through all the channels. It will also be available for libraries and bookstores to purchase at that time. 

amazon.ca

amazon.com

chapters/indigo

Barnes and Noble

 

 

LAUNCH DATE! 

I know it’s been a long time coming, and I apologize for that.

I’ve given you launch dates, and have had to push them back.

But hold on to your hats, folks, the wait is (almost) over!

Wilding will launch on June 1st!

That means it will be available for sale on that date on all the major online retailers, like Amazon, Kobo, iTunes, etc.

giphy

It has been a looong road to get to this point. And I can’t believe how very hard this process has been. It seems like other authors breeze through it, so I don’t know exactly why it’s been so hard for me. But, now I can say that I have a firm date.

However, as per usual it seems, there’s a couple caveats.

  1. Authors can choose to use Kindle Direct Publishing. (KDP) to make their books available both on the Amazon site and everywhere else. However, that’s is not generally recommended for various reasons I won’t go into here. The recommendation is for authors to use KDP for Amazon and then another distributor for all the other channels such as Kobo, iTunes, etc. There are many other distributors, but one of the ones recccomended most is IngramSpark. So that is what I have done. However, the process of getting the files ready to upload on Ingram is more complicated than for Amazon, and so as of this writing they are not quite ready . I will be working diligently to get them ready, but just in case I can’t, it might be the case that the book will only be available as an ebook for Kindle, and as a paperback on Amazon, on June 1st. There’s only a few minor things to figure out, so I’m not expecting this to be the case, but I thought I should mention it in case someone clicks on Kobo on June 1st and can’t find it.

2.  The second issue could be a little more tricky. My faithful iMac is sick. I love my Mac computers, and I hardly ever run into problems with them, but for about 6 months or so I have been having issues with it. I was really hoping I could limp it along until after the launch, but it’s becoming just about impossible to do anything on it. So I have to take it in to have it looked at. As I live in a small town, I have to wait until the weekend when we are going to the city to take it in, and it will likely take a couple days to diagnose the problem, and then who knows how long to fix it. Needless to say, this is not optimal when I”m getting ready to launch in a couple weeks. Sigh. It shouldn’t impact the launch, as I will have everything stored on the cloud, but mostly I am working on my aging iPad, which makes things harder. I still have little things to fix on my files to get them ready to upload, and I can do that on my iPad, but not as easily. So I’m a little worried how this will impact everything, but there’s not much I can do about it.

But, I’m forging ahead!

June 1st, here I come! 

To Lent, or not to Lent….

I’m in the midst of a crazy time right now and writing time has dwindled to pretty much zilch. But I thought that seeing as we are in the midst of the Lenten season, I could re-post this post which appeared here on The Traveller’s Path back in my first year (2016). Hope you enjoy, and I’ll be back with fresh content at the end of April! 

Don’t forget, if you want to keep up with my book publication progress, sign up for my newsletter here!  I send out an update about once a month. I won’t spam you, promise! 


Believe it or not, this was a vitally important question back in 7th Century Britain. Not so much whether or not to celebrate Lent, but when. The whole question of when Easter began, and thus, when to start celebrating Lent, was the source of great division and controversy.*

It may seem silly to us now, but it was a serious problem for the Church. It’s a difficult one to encapsulate in one blog post, but I’ll give it a shot.

Christianity first arrived in Britain with the Romans, who conquered the island (or parts of it, anyway) in the early parts of the 1st century. By the time the legions withdrew somewhere near the end of the 4th century, the Church had established a presence in the island, but it was not a major presence, just a religion among the other pagan religions that people followed, and it likely might have died out as the Angles, Saxons, and Jutes invaded and brought their own pagan religions with them. But the Celts in the South-west and North resisted those invasions as they had resisted the Romans, and Christianity survived and indeed began to flourish in those corners of the island.

However, they were cut off from Rome, and their practice of the faith began to take on a decidedly Celtic feel. The Irish and British priests and Bishops still venerated the Roman pope, but in all practicality their allegiances were much more tribal, and the Abbots of the monastery  had more sway in spiritual matters than the Bishops of the dioceses. In some cases, the Abbot was both Abbot and Bishop.  The Abbots were often descended from ruling Irish families, and held great influence over their people.  The practice of the faith was very much centred around the monasteries, as opposed to the dioscean, urban model developed in Rome.  Due to their influence, the monastic lifestyle was held up as the ideal of Christian living in the Celtic church.

Unbeknownst to the Celts in Britain, the Roman church had abandoned the original method for dating Easter, making some changes based on astronomical calculations (and other considerations, such as wanting to distance the resurrection of Christ from the Jewish passover) which are too complicated to get into here. Pope Gregory sent Augustine to Britain in 597 AD to convert the southern Saxon kings of England, which gave the Roman Church a firm hold on the southern parts of the island. But the it quickly came into conflict with the established “Celtic” church in the north as their differences in practice came to light.

All this brings us to the date of my  novel, set in 642 AD, and the situation in of the northern kingdom of Bernicia, which illustrates some of the difficulties in having two sets of practices. King Oswy of Bernicia, who, although a Saxon, had been brought to the Church through his exile in Dál Raita, and the influence of the monks at Iona, the island monastery off the west coast of what is now Scotland. For political reasons he married Eanflead, a princess of Kent, who was a Roman Christian. Therefore, at Easter, one spouse could be celebrating Christ’s resurrection while the other was still practicing Lent. It was all very awkward and, I imagine, confusing for the lay people.

There were other differences as well, including the style of tonsure worn by monks. The Roman monks shaved the top of their heads, leaving a ring of hair, echoing Christ’s crown of thorns. The Celts shaved the front of their heads from ear to ear, in what some surmise was the same haircut that the Druidic priests once wore.

This conflict between the two approaches to the faith continued until the Synod of Whitby, in 664 AD, instigated, interestingly enough, by King Oswy. He wanted to determine once and for all which practices would be the ones to follow for the Church in Britain as a whole (one wonders how much pressure his wife put on him to get it all sorted out!). Based in part on the influence of the charismatic Bishop Wilfred, Oswy ruled in favour of the Roman practices and the Celtic style began to be phased out, although the Church in Britain retained a couple of hold-overs from its Celtic monastic past, including the emphasis on missionary work and its dedication to intellectual pursuits. Pockets of resistance to this change lasted until the 9th century.

It may seem a tempest in a teapot to us, but at the time it was a vitally important matter as power, politics, and religion were all stakeholders in this conflict. The upshot of the whole thing was that the Church in England remained staunchly Roman until the marital shenanigans of Henry the VIII brought a whole new religious controversy to Britain.

*Interestingly, there is still a difference today between the Eastern Orthodox church calendar and the Western (Roman) one, but for different reasons than the ones delineated in this post.

*******

What do you think? How important is the dating of Lent to you? Does this seem a silly thing to disagree about? What are some practices that the Church disagrees about today that might be equally as silly?

Photo credit: Celtic Cross at Ballinskellig Priory by Ulrich Hartman

 

Star Wars and 7th Century Monks

If you start a conversation about the Star Wars: The Last Jedi, you are likely going to get some conflicting opinions on whether or not it was a worthy addition to the Star Wars canon. Or maybe you won’t. Does anyone think it was? Heh. I digress.

I will admit that I was less than impressed by the movie. Could they not show some originality in the screenplay? How many times must we see the same battle scenarios over and over again? And don’t get me started on Kylo Ren. Ugh.

But there was one part of the movie that had me absolutely giddy with delight. That was when Rey and Luke are together on the ancient Jedi temple on Ahch-To. We saw a glimpse of this at the end of the previous movie, The Force Awakens, but in The Last Jedi we are treated to more of the scenery and buildings that make up the old temple as Rey tries to convince Luke to join her in the fight against the First Order.

Trust me, it wasn’t because of the plot or acting that made me so happy at this part of the film, although both actors handed their scenes well enough. No, it was the setting that gave me such delight.

That is because this part of the movie was not made up of CGI enhanced buildings or scenery. This was filmed in a real place, the beautiful little island of Skellig Michael situated off the south-west tip of Ireland, and it has a place in the story of seventh century Ireland.

In real life, this wasn’t a temple, but it was a religious site, a monastery built in the Early Medieval period. The little “beehive” building that Luke lives in and the stone steps that Rey climbs are all real features, built by the monks themselves.

Skellig Michael is a small island (54 acres), consisting of two rugged vertical peaks, with a couple of flatter spots in-between peaks where the structures are located. There are three bays on the island where the monks could land, depending on the time of year and the weather, and there are stone stairs leading up to the buildings from each of them. Today only one of them is safe (ish) for use. The island is named after the archangel Michael. The word skellig comes from the Old Irish Gaelic word sceillec which means small or steep area of rock.

Skellig_Michael03(js)
This is a daunting place to live. Howling, near-hurricane force winds are common, and the seas around the island are often rough. Modern visitors are only allowed on this World Heritage Site in the summer. No children are allowed, as the stairs are too steep and dangerous for them. Visits are limited to six hours, and only 180 people are allowed at one time, to protect the structures.

The monastery itself consists of two oratories (places where the monks could pray) a cemetery, crosses, cross-slabs and six domed beehive cells, given that name because of their resemblance to beehives. There is also the remains of a later medieval church.The cells and oratories are all of dry-built construction and the church is of mortared stone. There is also a hermitage on another part of the island, possibly built in the 9th century. This would have been a  place for visitors to stay who might have come there for retreat, or for the abbot or another monk to withdraw even more from the world.

It is thought that there would have been maximum twelve monks and one abbot on the island at one time. The monks would likely have shared their beehive cells. The cells  vary in size, and some may have had an upper loft. It’s hard to know exactly when the first monks came there to establish the monastery, called St. Michael’s. The monastery could have been founded in the 5th century, as I mentioned earlier, but the first historically reliable reference to it comes from the 8th century, in the recording of the death of “Suibhini of Skelig”. I imagine he was likely a monk or an abbot of the monastery.

One wonders how the monks survived in this remote, wild, harsh environment. There is some evidence of gardens on the small areas that allowed for growing. Of course fish, birds, and eggs were plentiful. Making their way up and down those steps would have been a challenge, but it was a journey the monks would have to make any time they went on/off island or down to the spots where they could fish.

The cleverly constructed dry-stone cells are good shelter against the harsh winds and rain, but it must have been a cold, miserable place when the freezing winds howled and the sleety rain lashed against their walls. The monks were made of sterner stuff than I, but this place suited the aesthetic bent of these Celtic Christians very well. It was isolated, harsh, and difficult. A perfect place to stretch one’s dependence on God.

It’s not an easy place to visit, even now, but I sure would like to try. Another place to add to my places of pilgrimage for the next time I get to Great Britain.

I’ll leave you with a bonus clip of Mark Hamill discussing the filming of Star Wars on Skellig Michael.


Publication of my first novel, Wilding: Book One of the Traveller’s Path, is coming soon! To be kept up to date on all the news on it and the rest of my writing, sign up for my newsletter! You’ll get the first chapter of Wilding as a thank-you!

The Celts: 7th Century Ireland

I have several series going on here on The Traveller’s Path, in which I delve into one topic a little more deeply over many posts.

This post is the third one on the Celts. The first was an introduction to the series, and the second featured 7th century Wales.

Today I’m going to feature the Irish, who in the seventh century, were a force to be reckoned with, indeed. It seems appropriate, as next week is St. Patrick’s Day!

(Just as an aside, you might wonder why the narrow focus on the seventh century. It’s because that is the era I have researched most deeply for my novel, Wilding, and so I feel somewhat more comfortable writing about it. Plus, this is only a blog post. There’s only so much I can fit in!)

First of all, I’ve explained before that the Irish in seventh century England were not actually called “Irish”. The Romans had called them the Scotti, and that name still stuck here and there, but the Irish people themselves did not seem to have a name that they collectively called themselves, or at least not as far as I can see. I think they identified more closely with their clan groupings, such as the Ui Neill, rather than as a people group as a whole.  For clarity’s sake, however, I will refer to them as the Irish, and the island as Ireland, even though it was not called that then.

Ireland in the seventh century was distinctly rural. There were no cities, or towns. People lived dispersed among farms, in kinship groupings.  The society was very much a tribal one, with clans warring with one another for land and especially, cattle, which represented wealth. Individual families would live in circular dwellings, their land ringed by an earthen or even stone barrier to discourage raiders. These hillforts could be small or more elaborate, depending on who lived there.

ring-fort.jpg

A typical Irish ringfort, showing the circular wattle and daub houses, plus the underground souterrain commonly found in structures from this time. Historians believe these were either used for storage or for hiding or escape during war or raids, as many of them were connected by tunnels as well. Image from The Áed. 

There were no roads to speak of. The Romans, with their impressive engineering and road-making skills, had never conquered this part of Britain. Which means Ireland was left without the benefits of their nice, straight roads. People would either walk or ride horses along the cow paths, or travel by boat to get where they wanted to go.

The main source of wealth was cattle, and cattle-raiding was a fierce contest between rival clans. There were some rules around it, such as no man could take more cattle on a raid than he could drive away successfully, and they were not allowed to take so many (or all!) of another’s cattle such that the person would be left destitute. Cattle were too valuable to be used as meat, however. They were a source of milk and dairy products. Other livestock, such as sheep or pigs would be used for meat. Game such as deer or wild boar could also supplement the diet, as well as fish or seafood, of course.

PIXNIO-24075-725x544

The green, rugged beauty of Ireland. Image from Pixnio

The society was made up of the túath, a kinship group which lived in a defined area, about the size of a town. These túatha were ruled over by a petty king or chief, who in turn were ruled over by slightly more powerful overlords, who were in charge of their own túath, plus several neighbouring ones. Finally, at the top there were the five most powerful kings, who each ruled over one of the traditional five kingdoms of Ireland.

The practice of fosterage was very common in Ireland at this time. Children were often sent to other families (or monasteries/nunneries) to be raised and educated, only coming home when they had reached adolescence. It served to bind kinship groups or political allies closer together. But it could also have a detriment on the family of origin, as siblings could therefore be virtual strangers to each other, making it easier for rivalries to spill over into feuds and violence.

Irish society was organized similarly to that of the Anglo-Saxons, with the kings on top, followed by the nobles (professional warriors like the Anglo-Saxon thegns) on top, the various ranks of freemen made up of farmers of differing levels of wealth, churchmen and women, and slaves on the bottom. Slavery was big business in Ireland. Irish raiders frequently prowled the coasts of Britain and would swoop down and gather up slaves. St. Patrick was one such victim, a son of a wealthy Romano-British family who was taken by the Irish in a raid. Slaves could also be taken from a conquered enemy.

Additionally, there were a couple of important hereditary castes in Ireland at this time, the filid (poets) and the brehon (judges). Brehon law had been handed down over the centuries, a system of common law, and was learned and interpreted by the brehon. These laws covered all aspects of society, including inheritance or divorce, for example, as well as the more serious crimes such as theft or murder. There were no penal laws, however, in terms of capital punishment or imprisonment. People found guilty of a crime had to pay compensation to the victims in terms of land, or livestock. But not coins, as they were not used at this time in Ireland. Unlike the Anglo-Saxon kings at this time, the Iris kings had no part in making or interpreting laws. All of the legal aspects of Irish life were handled by the brehon, every king would rely on their judgements and interpretations of the brehon law. The brehon could be either male or female.

In the seventh century, Ireland was mainly a Christian society, although it is possible that there were still people who followed the old ways of the druids. But for the most part, the unique brand of Christianity we now call Celtic Christianity was reaching its zenith in the seventh century, responsible for establishing great centres of learning in the monastic schools and creating beautiful works of art, particularly in the form of illuminated manuscripts. The monks were also taking their culture and scholarly mindset with them on their missionary journeys into Anglo-Saxon England and the continent, where they were had a big part in re-converting Europe after the fall of Rome had decimated the Church and society there.

Abbey_on_the_Isle_of_Iona_-_geograph.org.uk_-_1459438

The Abbey of Iona today. These buildings were built in 1938, part of a general restoration of the fifteenth century monastery buildings. Of course, in the seventh century, the buildings would have been small, wattle and daub buildings, which have not survived. Image from Wikicommons 

 

In the seventh century the Irish were not just confined to Ireland. They held territory on the mainland as well, in the kingdom of Dál Riata. This kingdom seems to have been Irish on the east side of the mountains and Scottish on the west, but the lines are a little blurry from this far away in time. At any rate, there was a definite Irish part of Dál Riata, that much we know for sure, even if we don’t know exactly where the boundaries were and how long the kingdom itself lasted. The famous monastery of Hii, now called Iona, was part of Irish Dál Riata, and it was the heart of the Celtic Christian Church.

Figure_3.jpg

This is a handy little map! It shows you the various kingdoms, languages, and people-groups in the British Isles at the beginning of the seventh century. Note Dál Riata, which encompasses part of Ireland and the mainland. 

The common practice of fosterage allowed the Anglo-Saxon æthelings, including four-year-old Oswy, to come to Dal Riata and be sheltered there after the death of their father, Æthelthrith. Æthelthrith had conquered part of Dál Riata during his time as king of Northumbria, and obviously had some ties in that kingdom, as his sons (and wife? I assume?) were sent there after his death, safely out of the clutches of Edwin, who had taken Æthelthrith’s throne. Therefore Oswy grew up in the Irish Christian culture, which he then brought back to Bernicia when he became king. He requested an Irish Christian monk from Iona to come and establish a monastery to begin the work of converting the Angles of his new kingdom. This resulted in the establishment of Lindisfarne, with St. Aidan at its head as abbot.

Ireland has a rich and fascinating history. The seventh century is but one small part of it, but it is an important part. At that time it was a small country with relatively few people situated on the far edge of the known world, but its influence loomed large, creating echoes that still resound today.


Note: If you want to know more about Ireland in the seventh century, check out this fascinating article by Eamon O’Kelly, on Quora. It’s a good summary which gave me quite a lot of information.


My historical fantasy novel, Wilding, set in seventh century Northumbria, will be published in spring of 2019 (hopefully May!). To keep up to date on publication news, and to learn more about my writing in general, subscribe to my monthly newsletter. As a thanks you will get the first chapter of Wilding for free!